Meet the Trailblazers in the World of Circus
New Zealand is about to be put on the map in a spectacular way as two of its talented performers, Rosita Hendry and Thom Monckton, prepare to showcase their incredible skills at Cirque du Soleil’s LUDÕ in Mexico. Known for its breathtaking artistry and unparalleled athleticism, Cirque du Soleil consistently draws audiences from around the world, and this time, it’s the Kiwi spirit taking center stage. Hendry and Monckton embody both the challenge and the allure of pursuing a dream in a competitive global arena that continues to impress.
The Journey to Cirque du Soleil: A Personal Tale
This duo's journey highlights the unusual paths many performers take. Hendry comes with experience, having already performed in several Cirque productions, leveraging her rigorous training in Montreal. In contrast, Monckton’s entry stemmed from an eye-catching performance that caught the attention of Cirque scouts. For both, landing a spot in such a prestigious company is a testament to their relentless dedication and unique talents. It’s not just about being good; it’s about being exceptional in a field where many vie for the same coveted positions.
The New Show: LUDÕ - What to Expect
The anticipation surrounding the premiere of LUDÕ cannot be overstated. With over 300 scheduled performances, it promises to be a mesmerizing experience filled with innovation and artistry. Both Hendry and Monckton express their excitement about contributing to a brand new show where they will influence the creative process from the ground up. Hendry describes her role as dynamic and ever-evolving, while Monckton looks forward to the camaraderie forged in a large ensemble, which is a rarity in his usual solo performances.
The Unique Kiwi Perspective
With Henrdy’s and Monckton's involvement, the presence of New Zealanders in Cirque du Soleil is underlined, though they note that opportunities back home are limited. This speaks to a broader narrative about the aspirations of performers in smaller arts communities, where avenues may be scarce. Both performers acknowledge the rich but small circus culture within New Zealand and the need to venture abroad for more opportunities. As Hendry remarks, the international stage often becomes the only stage for dreams like theirs.
As LUDÕ sets the stage for this remarkable journey, Hendry and Monckton carry the hopes of their communities along with their own ambitions, proving that afar from home, the circus dreams can thrive.
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